Charles Krafft had me asking the question of how far artists can go round the twist before screwing up impressions of their work. Now comes
19 years ago, I saw Peter Gabriel live at the Tacoma Dome, where he did a version of “Solsbury Hill” very much like the one
Charles Krafft’s response to the charge that he’s a Holocaust denier raises the question of how audiences respond to artists they once admired once their
No winner for So Over It Contest #10. The answer is the Koenigsplatz, in Munich. The subject of our current contest provided inspiration both for
After a 1700 word (!) post yesterday, I thought I’d let someone else do todays talking, so I’ll turns things over to Neil DeGrasse Tyson,
Nichole Bernier’s blog post on locations and their impact on fiction got me thinking about the settings in my own work and why I picked
I just finished watching Errol Morris’s Tabloid, which tells the story, or stories, of Joyce McKinney, the former Miss Wyoming who was accused of kidnapping and
Apparently, Talking Points Memo is kicking around the idea of doing book reviews, and Josh Marshall, TPM’s lord asked the following ask on Twitter mere
I guess it’s late in the week, so it’s time for something trivial to become a thing. But Noreen Malone devoted a column in this
Blogging’s been light recently because I’ve been wrapping up applications for fellowships for the now-seriously-it’s-ready-but-wait-let-me-change-one-last-thing Denial screenplay. But this story about the apparently well-regarded ceramic artist Charles