“Then Marlene Dietrich appeared. Klara released her grip, as if daring Rolf to move. Rolf couldn’t.” –Summer of Long Knives, page 113 The Blue Angel,
Leni Riefenstahl’s life, to whatever degree it was horrible or wonderful, will always be linked with her direction of two films for the Third Reich: Olympia
I write to music. I’ve never conducted any sort of survey to see how common that is among fiction writers, but I do it. The